In DreamWorks' The Road to El Dorado (2000), Chel does not kiss Miguel. The film's romantic dynamic centers on Chel (a native woman from El Dorado) and Tulio (one of the two Spanish con artists).
Viewers sometimes misremember because:
Chel discovers Tulio and Miguel are mortals, not gods. She blackmails them into taking her when they leave. Over the journey, she and Tulio bond over shared wit and pragmatism, while Miguel grows attached to El Dorado itself. The climax forces each character to choose between gold, friendship, and love.
The film takes significant liberties with Mesoamerican history. For authentic perspectives, explore documentaries on the Maya, Aztec, or Inca civilizations.