Sarah Hall's 2003 short story collection The Beautiful Indifference (sometimes referenced via the story "Museum of Vain Endeavours") resists a singular thematic statement. Instead, it offers a constellation of loosely linked narratives exploring characters grasping for meaning, connection, or redemption—and often falling short.
Hall's prose is precise, unsentimental, and deeply empathetic. The "vain endeavours" are not mocked; they're witnessed. The collection asks: What do we build when we know it may not last? The answer: we build anyway. That persistence—flawed, human, tender—is the closest thing to a theme.